Trip to Gloucester for a Gallery Talk by Mary Whyte
In September my husband and I traveled to Massachusetts to hear a gallery talk and see an art show. I enjoyed it so much I wrote an article for the Upper Hudson Valley Watercolor Society's newsletter.
It was very good to see the show of seventy seven works which were chosen from five hundred eighty one entries nationwide. Here is the link to NEWS website to take a look: http://www.newenglandwatercolorsociety.org/galleries/2016NAOS.html
Question and Answer Session
A Gallery Talk by Mary Whyte
By L.C. Kemmerling
We packed snacks, drinks and a small suitcase, programmed
the GSP for Gloucester and headed off into the sunrise. The destination was North Shore Art
Association on Eleven Pirates Lane. It
was opening day for the New England Watercolor Society Biennial Open Show and a
Gallery Talk by Mary Whyte. Ms. Whyte was the juror of selection and juror of awards
for the show. Jan Palmer introduced me to Mary Whyte’s work last fall. Both artists do stunning watercolor portraits
and are favorites of mine. So I was
excited for the opportunity to hear Ms. Whyte talk and possibly meet her.
The North Shore Art Association building is a tall red barn
by the ocean. It makes a perfect New
England picture with the red barn trimmed in white, flowers of every color spilling
over large flower boxes on the front porch and in the background every species
of watercraft bobbing in unison in the old world harbor. The ground floor has a reception desk and
lots of wall space displaying artwork by the members. Towards the back is more
gallery space, an art library, a tucked away kitchen and restrooms decorated
with posters from art history. I thought
I saw Madame X in the ladies room powdering her nose. Up the stairs in the front of the building is
the second level, a large and lovely undivided gallery space where the New England
Watercolor Society Show was hanging. Funny
to think that before this building’s creative repurposing it stored a lot more
hay and a lot less paintings than it does today. It was very good to see the show of seventy seven works which were chosen from five hundred eighty one entries nationwide. Here is the link to NEWS website to take a look: http://www.newenglandwatercolorsociety.org/galleries/2016NAOS.html
The Gallery Talk was well delivered and inspiring. I was busy
taking notes the whole time. Here are
some highlights:
How to Become a Better Artist
1.)
Don’t focus on what you want to do, instead
focus on what you want to be
Think about the quality of work, what you
want to do
Mary Whyte told of how she met the group of
Gullah women when she first moved to SC. She was moved by them and thought
“This is a story that needs to be told.”
She mentioned that it is important what a painter
takes out of a painting
She stressed the importance of thumb nails
sketches
Ask yourself what is the concept of the
painting? How can I say more?
Remember how you felt, not what you saw
Put detail in places where you want the
viewer to linger
2.)
Instead of focusing on what you do well, focus
on what you do differently
For Georgia O’Keefe - her painting
technique was not that unique or difficult to do but what made her work special
was how she saw her subject, her unique interpretation of subjects, her point
of view
Learning watercolors in the 1970s there was
not much instruction so Ms. Whyte went to museums and studied great works,
three of her favorites are John Singer Sargent, Winslow Homer and Andrew Wyeth
Watercolor is hard because it is the only
medium that relies strictly on timing- painting wet into wet, damp in to damp
Focus on the quality of the edge, a hard
edge says look here
Ask yourself what could I do differently?
Sargent used gouache to get his rich opaque
darks
Best way to keep things fresh is to get in
and get out then leave it alone
Things she likes to paint are people and
something she have never seen before
Painting sources: from life-the best way to
do it, from photos, from imagination, from memory-sometimes you need to
recreate a moment
When using photos remember a camera doesn’t
know how to read a setting like our eyes.
It can’t leave things out that are there and it can’t see the detail and
richness of colors in shadows
3.)
Know what is essential to you, paint your own
painting
What is it that is essential to you? When
you paint from your own heart it results in so much more
We learn by following others example but
you need to take the step to paint like yourself
When painting you don’t have to show it all,
let the viewer see and make connections
How a Juror Judges a Show
As a juror she evaluates for:
Concept- idea, originality
Is it the artist’s own? Is it true?
Did this artist realize what they were working for?
Composition
Drawing skill, not just a style
Technique, not overworked
When it comes to a tie between two excellent
pieces, the tie breaker is the framing.
Good framing elevates a work and makes it complete
She will do as many as thirty thumbnail
sketches preparing for a painting
She works standing up at an easel
She works on large 4 feet by 6 feet Arches
555# paper
She advised to have the size of the piece
match the message, some messages work better in a smaller format, some in a
larger
She mainly uses M. Graham watercolor paints
She does not use masking fluid but sometimes
uses masking tape ripped in pieces to mask an area
She works on one painting at a time and
enjoys being immersed in that one subject
She rips up one out of four paintings but
knows each failure gets her closer to the next success
She writes her name, title, location and
model details on the bottom edge of her work to authenticate the piece
If stuck on a piece, she will turn it to the
wall for a few days then turn it back and look at it again
Paint to appeal to all the senses
Norman Rockwell said something about how
the best paintings are ones you can smell
You are not just copying the visual
Instead of being a journalist, be a poet
I thoroughly enjoyed the talk and seeing
the show. Meeting and talking to Mary
Whyte was a real treat. She was very
gracious and approachable. I appreciate the depth of her art, her message and
the generosity she shows in sharing them with others.
Mary Whyte’s website
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